Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Playa and Shadowed Ridge

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Playa and Shadowed Ridge
“Playa and Shadowed Ridge” — Morning sunlight on the playa of Death Valley beyond a nearby shadowed ridge.

On one hand, this is an interesting record of something you can see in high places above Death Valley following a very wet season. On the other hand, there are several stories behind this photograph. It was morning, and I had arrived at this high overlook before dawn. Eventually the shadows of the mountains upon which I stood retreated across the valley towards me, leaving the playa in sun. At the moment that I made this exposure, there was just a small stub of the mountain shadow still in the valley, yet the jagged ridge just below me was still in dark shade.

Far below, there was a lot of water on the desert playa, much more than usual. Heavy rains during recent months had flooded a large section of the valley, and here a large pond is visible among the deposits that spread across the playa. A twisting, meandering stream leads to it. Farther out on the playa there are more channels — this landscape that we think of as being arid and hot was, on this day, full of water.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dunes Detail, Sunset

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Dunes Detail, Sunset
“Dunes Detail, Sunset” — Sunset light on sand dunes, Death Valley.

Sand dunes are a source of endless fascination to photographers. They provide a sort of workshop in light, texture, composition, and associations. They can be purely abstract, but their forms can also suggest many other things — human figures, water, mountains, and so much more. When photographing dunes you can play with the relationship between the abstractions and the real, perhaps choosing to incorporate bits of elements — plants, tracks, etc. — blur the line between the abstractions and the real.

Dunes change appearance greatly depending on the time of day and the atmospheric conditions. In some sense, they are a sort of canvas on which light paints. At times the shadows can be deep and even stark, but in soft light they can be almost as light as the highlights. It is hard to say with certainty what color dunes are. In the middle of the day they may seem almost colorless, but when they pick up the colors of sky and golden hour light they may become subtly colorful.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Clouds, Lake, Desert Mountains

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Clouds, Lake, Desert Mountains
“Clouds, Lake, Desert Mountains” — Morning clouds above the Panamint Range, reflected in the smooth surface of Lake Manly.

This photograph may look a bit familiar if you follow my posts. I previously shared a landscape orientation (wide) version of a similar photograph, made just moments before I exposed this one. The Panamint Mountains are in the distance, under sunrise light, and the shadow of mountains to the east still falls on the lower slopes. This is reflected in the waters of Lake Manly.

I love finding interesting juxtapositions of color, light, and shape in the landscape. The reflective water of the temporary lake provided rare opportunities here. and I was able to find a composition that stacked up layers of clouds, sky, snow-capped peaks, sunrise light, and the shadow line in the middle.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Mountains, Snow Squall

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Desert Mountains, Snow Squall
“Desert Mountains, Snow Squall” — A late-winter snow squall high in the Panamint Mountains.

On this mid-March morning I was heading for Furnace Creek in Death Valley. I had made a sunrise stop to photograph near the town of Trona before resuming my northward drive. The west side of the Panamint Mountains is visible along most of this route, and a snowstorm was winding down among the highest peaks, lending an alpine quality to the desert landscape.

The Panamint Mountains are tall, with the highest summer being Telescope Peak at 11,000 feet of elevation. (The summit is known for being a spot from which one can see both the lowest and highest points in the contiguous United States, respectively Badwater and Mt. Whitney.) It is pretty normal to see snow up there during the winter, though this time it seemed to descend a bit further down the slopes than usual.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.